It seems like maybe Goatman is the 'weird' member of Goat... RHYTHMS is aptly named, a monolith mosaic of Fela Kuti, exploitation soundtracks, screaming psychedelica and more all warped and twisted into a wild, unique whole. All the guest singers make this an even more globe-trotting soundtrack...play this at a party and watch your guests get seriously freaky.
Favorite track: Jaam Ak Salam.
The shining example
fantastic mishmash of styles, afro, psych, free jazz, jazz funk, electro it's all in there!!, brilliant album gets better with every listen, highly entertaining!!!
Favorite track: Limelight.
Rhythms is the debut album by Goatman, a new solo project by one of the mysterious members from the Swedish collective GOAT.
Recorded in GOAT’s northern Swedish home town of Korpilombolo in late 2017 - the 6 tracks on Rhythms reveal a true collision of African Rock, Jazz, Reggae, Gospel and Psych, but all put through the famous GOAT filters.
Rhythms is a very apt title for the album as each track is an exploration of the ‘groove’. From the Fela Kuti‘esqe drums and horns jam of Jaam Ak Salam, to the frantic gospel-jazz of Carry the Load. From the fuzzed Can via the ‘Bristol sound’ track of Hum Bebass Nahin, to the cinematic, Spacemen 3‘esqe drones of the album closer Baaneexu. The end result is quite an astonishing and very unique album, like what
you would expect from an album made by a member of GOAT – an album that is hard to put your finger on, but one that you will keep revisiting, the more it’s sounds reveals itself.
Goatman plays all the instruments on the album bar some additional drums by Hanna Östergren from fellow Swedish bands Hills and Träd, Gräs & Stenar, and an added horn section courtesy of Johan Asplund, David Byström.
One of the standout highlights of the album though is the collection of great guest vocalists Goatman has enlisted. Tracks Jaam Ak Salam and Aduna feature the very special voice of Senegalese singer Seydi Mandoza. You will also hear the vocals of Swedish based singers Amanda Werne on Carry the Load and Amerykhan on Hum Bebass Nahin.
Goatman’s passion for traditional and contemporary music from around the world can be clearly heard when listening to Rhythms. The level of authenticity and willingness for exploration that Goatman has captured truly shows a fanatical respect for the music he is greatly influenced by. But at the end of the day, Rhythms is an album that has a sole purpose, and that is for to you to enjoy, dance and have fun too!
My favorite discovery of 2019! (I don't understand how I could not know about this band before) Amazing music with a cool mystique surrounding the bands origin story. Would love to hear some new material and see them live! panikfalk
Two totally different songs. The first one is a tremendous, fuzzed-out, hard-hitting, flute-haunted psychy hymn - akin to a tribalized version of Amon Düül II - with raw, shouted yet hypnotic female vocals. The second one is a mellow jam driven by a warm, peaceful sax. The contrast is striking and beautiful. Really looking for their next full length. muschiosauro